Early Romantic Lieder

with guitar

Edited by John McCormick

For first line incipits, Click here: Page 1 | Page 2.

76 pp. $29.95. Presser Order number 491-00616 (DTMO-10)

rhein.jpgThe lieder with guitar in this collection come from a series of journals published in Braunschweig, Germany during the early nineteenth century under the name Arion. For this collection, we have selected only songs written by German composers, some of which may have been specifically written for these journals. Some of these lieder were composed on well-known poetry by famous German poets such as Göthe and Schiller. In some cases, the texts used in the Arion journals, differ somewhat from the established texts as they are known from literary sources. We have retained the texts, as well as the sometimes archaic spelling, as they appear in Arion. Many of the composers represented are the immediate predecessors of the now more famous ones whose major output were lieder—Franz Schubert, Robert Schumann, Hugo Wolf, and Carl Loewe. They were a major influence on these later composers in that they marked the beginnings of the art of serious song writing in Germany. They, in turn, often used as their model the solo song styles already established in Italy.

Contents:

Anton Diabelli (1781-1858): Ihr Wuchs ist Nymphenhaft und schlank; Mauro Giuliani (1781-1829), Flattre, flattre kleiner Vogel; Adalbert Gyrowetz (1763-1850): Lied; August Harder (1775-1813): Lied, Die Propheten,  der Natur; Friedrich Heinrich Himmel (1765-1815): Beglückt, beglückt, wer die Geliebte findet, Fort, dass die Leyer klinge; Georg Ernst Kallenbach (1765-1832): Weine nicht; Ferdinand Kauer (1751-1831): In den lauen Zephir Lüften; Karl Keller (1784-1855): Ariette, Nur hin zu dir, Land meiner soligsten Gefühle, Die Laute, Lebewhole; Conradin Kreutzer (1780-1849) In der Ferne, Morgenandacht im Freien, an einem Sonntage, Scheiden und meiden, Frühlings-Ruhe, Morgenlied; Albert Gottlieb Methfessel (1786-1860): So Mancher möcht ihr Blümchen sein, Liebeständelei, Sängers Morgenlied; Johann Friedrich Reichardt (1752-1814): Das Lösegeld, An den Abendstern, Der Alpenjäger, Lied der Nacht; Vincezo Righini (1756-1812): Schönste Rosen, Nehmt euch in acht!, Freud voll und leidvoll; Carl Maria von Weber (1786-1826): Gebet um die Geliebte, Umsonst, Canzonetta, Ich sah ein Röschen, Meine Lieder, Meine Sänge, Das Veilchen im Thale: Heinrich Werner (1800-1893): Vollmondnacht, Der Waisenknabe: Gottlob Wiedebein (1779-1854): Immer mehr; Peter von Winter (1754-1825): Aria, Die Blumen des Lebens; Johann Rudolph Zumsteeg (1760-1802) Wär ich muntres Vögelein.


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