18 pp., $8.95, Presser Order number 494-02555 (PWYS-59)
To view first line incipits click page 1 | Page 2.
Click on the links below to download or listen to these selections in MP3 format.
N° 1 — Rudiments | N° 2 — Expression | N° 3 — The City | N° 4 — Marionettes
N° 5 — Sophie's Lullaby | N° 6 — Precision | N° 7 — Jazz Ballad | N° 8 — Mechanical Blues
N° 9 — The Singer | N° 10 — Dialogue | N° 11 — Winter Scene | N° 12 — In Suspense
N° 13 — Methodical | N° 14 — Five Fingers; | N° 15 — Technique | N° 16 — Perpetual
N° 17 — Jazz Waltz | N° 18 — Coming Home | N° 19 — Chorale
N° 20 — In Brazil | N° 21 — Improvisation
Performed by John Hall. Posted by permission.
John Hall specializes in the study and performance of classical and jazz music. The etudes in this collection were composed with these two styles in mind; combining the harmonic characteristics of jazz with the classical concepts of voice-leading and counterpoint. They are meant to serve as transitional material between the studies of Carcassi/Sor and the etudes of Villa-Lobos.
John Hall was born in Detroit, MI in 1955. He attended Detroit Public Schools and received his first intensive musical training at Cass Technical High School in Detroit. He is a graduate of Wayne State University in Detroit where he studied guitar with Charles Postlewate and Joe Fava and received advanced training in music theory as a graduate student under Dr. Richard Parks. A university instructor for over twenty years, he is currently on the faculty of Oakland University in Rochester, MI. and the Cranbrook Educational Community in Bloomfield Hills, MI.
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